• War and Art: A Visual History of Modern Conflict, Joanna Bourke, editor, Reaktion Books, Unit 32, Waterside, 44-48 Wharf Road, London N1 7UX , publication date: September 2017.

    Artwork featured in an essay entitled ‘Rape in the Art of War’, a series of essays, each of which covers a different aspect of modern conflict, by Joanna Bourke, Professor of History at the University of London.

    artwork : jeffkramm.com/artwork/868490_My_Lai.html

  • The Outlaw Bible of American Art, Alan Kaufman (editor), published by Last Gasp, 2016, available at lastgasp.com/d/42863/outlaw-bible-of-am?

    The Outlaw Bible of American Art is a 700 page revolutionary art world shocker: a Who's Who alternative canon of marginalized or famed autodidactic paint-slinging loners who followed their own outrageous, sometimes catastrophic visions to the heights of fame or the depths of Hell.

    From the Lincoln Cushing's essay, Outlaw Posters, www.docspopuli.org/articles/OutlawPoste?: 'Sometimes pure satire was the sharpest weapon, as demonstrated by one outrageous gem created by Jeff Kramm for the fictional group with the audible-pun name "Selective Youth in Asia." The artist did not use his name on the poster but instead used a logo he designed, for fear of reprisal by ROTC or other military-minded individuals.'

    p. 173, 175; artwork: jeffkramm.com/artwork/868490_My_Lai.html

  • RISK, Berkeley Art Center, www.berkeleyartcenter.org/juried-2013, June 29 - August 25, 2013

    Jurors:
    Apsara DiQuinzio, Curator, Berkeley Art Museum
    Kimberly Johansson, Director and Owner, Johansson Projects

    artwork: jeffkramm.com/artwork/1826194_Ed.html


  • Kill for Peace: American Artists Against the Vietnam War by Matthew Israel, www.matthewisrael.com/ University of Texas Press, available at www.amazon.com/Kill-Peace-American-Arti?.

    Kill for Peace is a history of American artists’ protest against the Vietnam War, spanning from 1946 (and the war’s origins) through the fall of Saigon in 1975. The book is written for both general and academic audiences and discusses significant paintings, sculptures, performances, actions, installations, posters, short films, and comics by artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris, as well as artists’ groups, such as the Art Workers’ Coalition and the Artists Protest Committee.

    Kill for Peace was motivated by living through American wars in Iraq and Afghanistan, witnessing artists’ protests against the wars, wondering what the precedents were for such engagement, and questioning what contribution one might make as an art historian to both encourage and inform protest. It is also a response to an art-historical gap. Though the 1960s is one of the most heavily studied areas in art history, there has been little extended study of the relationship between artists and the Vietnam War, and until now, no thorough “survey” of this material has been attempted.

    artwork, p. 66: jeffkramm.com/artwork/868490_My_Lai.html
    text, p. 66: books.google.com/books?id=vOQ60DsujikC&?


  • All of Us or None: Social Justice Posters of the San Francisco Bay Area,
    Oakland Museum of California (OMCA), March 31 - August 19, 2012,
    museumca.org/exhibit/all-us-or-none-soc?

    Celebrating the recent acquisition of the renowned All Of Us or None poster collection, OMCA presents the first comprehensive exhibition exploring the poster renaissance that started in the mid-1960s as a legitimate art form as well as a powerful tool for public debate on social justice issues. Presented as a companion exhibition to The 1968 Exhibit, the exhibition features 68 original political posters framed and traditionally hung, in addition to countless posters digitally printed and collaged on the gallery walls, a method similar to the way they were originally displayed. The exhibition is guest curated by collection archivist and author Lincoln Cushing. Accompanying the exhibition is a catalog published by Heyday Press, heydaybooks.com/book/all-of-us-or-none/.

    artwork: collections.museumca.org/?q=collection-?



    All of Us or None: Social Justice Posters of the San Francisco Bay Area, by Lincoln Cushing, Heyday Books, available at www.amazon.com/All-Us-None-Justice-Fran?

    Featuring posters on topics as diverse as civil rights, war, poverty, the environment, music, women's liberation, fine art, and gentrification, All of Us or None shows us why the Bay Area was such fertile breeding ground for the genre and why it arguably produced more independent political posters than anywhere else on earth. Here is an exhilarating history of artists, studios, printshops, distributors, activists, icons, and changemakers-- among them R. Crumb, Stanley Mouse, Cesar Chavez, Max Scherr, Emory Douglas, Angela Davis, the San Francisco Mime Troupe, Bill Graham, and Pete Seeger--together raising their voices in opposition to the status quo.

    artwork, p.60: jeffkramm.com/artwork/868490_My_Lai.html